Bibliograph

Emerald street, a history of hip hop in Seattle, Daudi Abe ; foreword by Sir Mix-A-Lot

Type

Label

Emerald street, a history of hip hop in Seattle, Daudi Abe ; foreword by Sir Mix-A-Lot

Language

eng

Bibliography note

Includes bibliographical references and index

Illustrations

mapsplatesillustrations

Index

index present

Literary Form

non fiction

Main title

Emerald street

Nature of contents

bibliography

Oclc number

1151541983

Responsibility statement

Daudi Abe ; foreword by Sir Mix-A-Lot

Sub title

a history of hip hop in Seattle

Summary

From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program

Table Of Contents

Introduction: "I'm the man they love to hate, the J. R. Ewing of Seattle" -- "Welcome to Seattle where the sun don't shine": Seattle, the Central District, and the arrival of hip hop -- "Go back the other way, we'll stop and eat at Dick's": Seattle hip hop in the 1980s -- "We got the talent, microphones, turntables, and crates": Seattle hip hop in the 1990s -- "Solo Doe is my idol man, Cherry is the street": 206/2K -- "The hood ain't the same": traditions change and continue -- Conclusion: "Back when Empire Way became MLK"

Contributor